Feature image of writer & aerialist Chih Wang courtesy of Brandi Cooper.
I got such a great response to my request for the ways my writer friends’ pastimes inform their writing that I thought I’d share a half dozen more this week … and a half dozen more next week! Here’s part two of writers talking creative pursuits, hobbies, and side hustles.
Ioannis Argiris: Writer & Stigmatophile:
Collecting tattoo imagery is a process that inspires my writing work when I’m capturing a mood. I try to find images to connect to that emotion, like courage (panther head tattoo) or anger (dagger), and I think about how the lines and colors that make up that graphic affect my writing. Seeing so many variations of the images expressed by many wonderful tattoo artists helps me find the words I can try out on the page.
Ioannis Argiris’s short story “U-Haul” recently appeared in Kelp Journal. His new zine, encinal nights: speculative stories, features four short stories and will be available in April at local Bay Area bookstores and online.
Chih Wang: Writer, Editor & Aerialist:
My other big thing I love to do is aerial hammock, but I’m not sure if it actually helps my writing. When I’m frustrated and feeling low about the progress with my novel, I can sometimes turn to aerial where my progress is much more obvious. Learning a new skill in a one-hour class reminds me that I can still accomplish things and perhaps that bleeds over to my writing morale.
Chih Wang is a freelance copyeditor and is the copyeditor for Kelp Journal. You can reach her at cywediting.com.
Sara Grimes: Poet & Stand-Up Comedian:
Cutting my teeth in comedy has been a useful tool for developing my poetic voice. When I am feeling depleted in one area of my creative life, it allows me to pivot to another outlet. I have days when inspiration strikes to write a comedy set. On those days, I may be sitting at a coffee shop, and I can feel my consciousness expand and welcome in thematic material to riff off of. It will often start with one joke or idea, and then my writing acumen will come in handy to develop that into a larger bit woven together thoughtfully. This gets the creative juices flowing, and maybe later that day, I will be walking my dog through a neighborhood on the precipice of spring, and I will be inspired to write a poem about it. Then, I will sit down and apply the same balance of craft and lyric flow to my poetry. There is a sense of rhythm, movement, and pacing to both forms of art.
In this clip, I think the role of emphasis and syntax in both genres is heightened as well: “QR Codes Are the New Classified Ads”
Sara Grimes’s poem “Isolation” recently appeared in The Dewdrop‘s “Isolation Shorts.”
Jaime Parker Stickle: Writer & Podcast Host:
I started a podcast to be able to sit with other artists once a week and talk about all the things, all the jobs, all the money-making gigs we do and have done in pursuit of our careers as writers (and other artists). It really feeds my work as a writer in so many ways–hearing incredible stories from fellow artists inspires me to keep working and not give up. It honestly aids the way I build characters, especially in my screenwriting. I’m often motivated to write characters that I think the actors I have on the show would play with grace and humor and ease. And that is so exciting to me.
The podcast has become such a passion of mine because of how much fulfillment it provides to me creatively, and it keeps me tethered to a community of artists, where I may otherwise feel isolated as a writer. I know my writing is better because of it.
Jaime Parker Stickle is a writer and the co-host of Make That Paper! Podcast.
Matt Ellis: Writer, Musician & Air Wave Wanderer:
One of my favorite MFA lecture moments was when thriller novelist Ivy Pochoda likened plot building to releasing a herd of rabbits to run. Her revelation was both mind-blowing and daunting. I’d written long enough to know that once your characters had their own lives and voices, they could drive the story in new and surprising ways. Easy, right? For a successful career, all you need is to create a vast stable of fully realized characters and keep churning them out like a dungeon master with three bags of dice. Oh … but wait … they also need to be both wholly original and identifiable to your reader simultaneously? Reality check, please.
Like many people, I spend far too much time in my car. While switching off the stereo can invite the creative journey that only bumper-to-bumper boredom can bring, getting lost in those mental excursions can invite real-life danger and drama. My solution—reality podcasts! You want authenticity in your writing, let fact drive your what-if explorations. I don’t find the gold in mining sensational stories or the peaks of meteoric rises. Those are already too well known and lean toward the cliché. I’m obsessed with grassroots. Causes that help me shape different effects.
An unusual This American Life profile of an investigator who identifies unclaimed bodies in Los Angeles led me to some profound questions that became my current manuscript. Another led me to a new raison d’être for a critical character that I had to resurrect and carry for two hundred more pages. Need insights into the moral calculus of high-stakes operations for your geopolitical thriller? Tune into Malcolm Gladwell’s exploration of the WWII fire-bombing campaigns on Tokyo in Revisionist History. Got a crime story about street gangs? The Freakonomics crew will tell you the economic reasons many drug dealers still live at home with their mothers.
I’m not saying poach for your prose, but we can all modify a splice of DNA for our own sequencing. Now put on those sunglasses, adjust the seat, and tune your stereo EQ from rock to talk.
Matt Ellis’s short story “Off the Road” was recently published in Kiss the Witch.
Ashley Corinne: Writer, Singer/Songwriter & TV/Film Aficionado:
When I’m not reading or writing, I’m more than likely watching TV or movies or listening to music.
Music is my very first love. I was a singer and a songwriter before I was anything else, thanks to mornings with Radio Disney’s pop jams, princess movies, and Breakfast with the Beatles on 95.5. There’s nothing quite like the feeling of turning the volume up with your headphones in and pretending you’re in a dramatic music video.
While I don’t do so much songwriting these days, and I only sing alone in the car (like my life depends on it), music is the one thing that keeps my brain from folding in on itself. I’m constantly curating playlists for seasons, moods, and feelings or finding film scores to match my reading mood. I just finished putting together my spring playlist, and I’m rather proud of it.
Once I’m finished dancing around my room and performing Ashley: The World Tour for an imaginary audience, my brain is refreshed and full of new ideas for writing.
Film and TV are my other two vices. I’ve always had obnoxious opinions on them, and I’m shocked to read old Facebook statuses where I raved about bad TV like it was a Monet. I do love bad TV, don’t mistake that, but I love so much more about film than my “guilty pleasure” watching (which I do not ever feel guilty about, btw).
I work for a movie studio (an unexpected life turn), where I’ve worked in both film and television, and it’s completely changed the game for me. I not only obsess over storytelling and hot people on my screen, but I’ve become downright geeky about the production process. Writing, VFX, dailies, color and costume tests, MPA rating processes. It’s exhausting and lovely and somehow still one of the best things to ever happen to me.
Watching movies and television allow me to stay close to what I love about reading and writing: storytelling, character, themes, etc, but I’m still able to keep the two separate. And once I’m done with a new show (or an old one I’ve seen a hundred times), I can see my own work so differently. It lets me see that maybe the direction or tone I had started with isn’t actually where the story needs to go.
Ashley Corinne’s essay My Brain Is in a Supermassive Black Hole: A Twilight Reread recently appeared in GXRL.